Profile | Coments | Contact
ravi agarwal
First City columns Articles and other writings Shows and other events My blogs Links
 

Works

  • A Street View 1993-1995
  • Down and Out: Labouring under Global Capitalism 1997-2000
  • Alien Waters 2004-2006
  • Monsoon Patch I and II 2006
  • Impossibility of being feminine 2006/2007
  • An Ecology of Desire 2007
  • Have you seen the flowers on the river? 2007
  • Immersion.Emergence - 24 images 2007
  • Dead Wood 2007
  • Debris 2007
  • Riverbank Installations I, II, III 2007
  • Home Series 2007 - 8
  • Urbanscapes 2008
  • Mechanical Man 2008
  • Metal Man 2008
  • Stills from Videos 2007 - 2008
  • Imagined Landscapes 2008
  • Extinct? 48 deg C, Public Eco Art Project, N Delhi 2008
  • Scene of Crime series (2009) 2009
  •  

    (Artist's note) Down and Out, Labouring under Globalisation, 2000

    Note on Down and Out: labouring under globalisation (1997 – 2000) My engagements as a photographer and social activist have been an important part of my life. However this particular intense journey with people who eke a living as migrant laborers, was initiated through a collaboration with Jan Breman (co-author of the book) in 1997. I met them at close quarters, over a period of two and a half years, in the countryside of South Gujarat (near the city of Surat), and documented their lives in the village, on the road and in the city, Lives, which I found to be always revolving around ‘work.’ As I found myself in the company of some of the most politically and economically marginalized people, the process left me personally transformed at many levels. At one level was a sharing of the experience of their very quiet dignity and uprightedness despite a very sparce material existence. At another, I could not but interrogate and negotiate my own position as a photographer trying to represent another, especially where I was clearly privileged in many ways. All this has left me with several ongoing questions. The ‘project’ which was meant to follow a script, however quickly found its own metaphor. As I developed numerous relationships over that period, I came to understand and see an assertion of life itself, which played out within the interstices of human politics and human survival. (Selection of photos on CD as well on http://www.iisg.nl/exhibitions/downandout/)

    you can also read at: http://www.iisg.nl/exhibitions/downandout/